The Three Fisherman

* Here is a good entry in the flash non-fiction category from Tom Sheehan*

There were three of them. There were four of us, and April lay on the campsite and on the river, a mixture of dawn at a damp extreme and the sun in the leaves at cajole. This was Deer Lodge on the Pine River in Ossipee, New Hampshire, though the lodge was naught but a foundation remnant in the earth. Brother Bentley’s father, Oren, had found this place sometime after the First World War, a foreign affair that had seriously done him no good but he found solitude abounding here. Now we were here, post World War II, post Korean War, Vietnam War on the brink. So much learned, so much yet to learn.

Peace then was everywhere about us, in the riot of young leaves, in the spree of bird confusion and chatter, in the struggle of pre-dawn animals for the start of a new day, a Cooper Hawk that had smashed down through trees for a squealing rabbit, yap of a fox at a youngster, a skunk at rooting.

We had pitched camp in the near darkness, Ed LeBlanc, Brother Bentley, Walter Ruszkowski, myself. A dozen or more years we had been here, and seen no one. Now, into our campsite deep in the forest, so deep that at times we had to rebuild sections of narrow road (more a logger’s path) flushed out by earlier rains, deep enough where we thought we’d again have no traffic, came a growling engine, an old solid body van, a Chevy, the kind I had driven for Frankie Pike and the Lobster Pound in Lynn delivering lobsters throughout the Merrimack Valley. It had pre-WW II high fenders, a faded black paint on a body you’d swear had been hammered out of corrugated steel, and an engine that made sounds too angry and too early for the start of day. Two elderly men, we supposed in their seventies, sat the front seat; felt hats at the slouch and decorated with an assortment of tied flies like a miniature bandoleer of ammunition on the band. They could have been conscripts for Emilano Zappata, so loaded their hats and their vests as they climbed out of the truck.

“Mornin’, been yet?” one of them said as he pulled his boots up from the folds at his knees, the tops of them as wide as a big mouth bass coming up from the bottom for a frog sitting on a lily pad. His hands were large, the fingers long and I could picture them in a shop barn working a primal plane across the face of a maple board. Custom-made, old elegance, those hands said.

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     “Barely had coffee,” Ed LeBlanc said, the most vocal of the four of us, quickest at friendship, at shaking hands. “We’ve got a whole pot almost. Have what you want.” The pot was pointed out sitting on a hunk of grill across the stones of our fire, flames licking lightly at its sides. The pot appeared as if it had been at war, a number of dents scarred it, the handle had evidently been replaced, and if not adjusted against a small rock it would have fallen over for sure. Once, a half-hour on the road heading north, noting it missing, we’d gone back to get it. When we fished the Pine River, coffee was the glue, the morning glue, the late evening glue, even though we’d often unearth our beer from a natural cooler in early evening. Coffee, camp coffee, has a ritual. It is thick, it is dark, it is potboiled over a squaw-pine fire, it is strong, it is enough to wake the demon in you, stoke last evening’s cheese and pepperoni. First man up makes the fire, second man the coffee; but into that pot has to go fresh eggshells to hold the grounds down, give coffee a taste of history, a sense of place. That means at least one egg be cracked open for its shells, usually in the shadows and glimmers of false dawn. I suspect that’s where “scrambled eggs” originated, from some camp like ours, settlers rushing west, lumberjacks hungry, hoboes lobbying for breakfast. So, camp coffee has made its way into poems, gatherings, memories, a time and thing not letting go, not being manhandled, not being cast aside.

“You’re early enough for eggs and bacon if you need a start.” Eddie added, his invitation tossed kindly into the morning air, his smile a match for morning sun, a man of welcomes. “We have hot cakes, kulbassa, home fries, if you want.” We have the food of kings if you really want to know. There were nights we sat at his kitchen table at 101 Main Street, Saugus, Massachusetts planning the trip, planning each meal, planning the campsite. Some menus were founded on a case of beer, a late night, a curse or two on the ride to work when day started.

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     “Been there a’ready,” the other man said, his weaponry also noted by us, a little more orderly in its presentation, including an old Boy Scout sash across his chest, the galaxy of flies in supreme positioning. They were old Yankees, in the face and frame the pair of them undoubtedly brothers, staunch, written into early routines, probably had been up at three o’clock to get here at this hour. They were taller than we were, no fat on their frames, wide-shouldered, big-handed, barely coming out of their reserve, but fishermen. That fact alone would win any of us over. Obviously, they’d been around, a heft of time already accrued.

Then the pounding came, from inside the truck, as if a tire iron was beating at the sides of the vehicle. It was not a timid banging, not a minor signal. Bang! Bang! it came, and Bang! again. And the voice of authority from some place in space, some regal spot in the universe. “I’m not sitting here the livelong day whilst you boys gab away.” A toothless meshing came in his words, like Walter Brennan at work in the jail in Rio Bravo or some such movie.

“Comin’, pa,” one of them said, the most orderly one, the one with the old scout sash riding him like a bandoleer.

They pulled open the back doors of the van, swung them wide, to show His Venerable Self, ageless, white-bearded, felt hat too loaded with an arsenal of flies, sitting on a white wicker rocker with a rope holding him to a piece of vertical angle iron, the crude kind that could have been on early subways or trolley cars. Across his lap he held three delicate fly rods, old as him, thin, bamboo in color, probably too slight for a lake’s three-pounder. But on the Pine River, upstream or downstream, under alders choking some parts of the river’s flow, at a significant pool where side streams merge and phantom trout hang out their eternal promise, most elegant, fingertip elegant.

“Oh, boy,” Eddie said at an aside, “there’s the boss man, and look at those tools.” Admiration leaked from his voice.

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     Rods were taken from the caring hands, the rope untied, and His Venerable Self, white wicker rocker and all, was lifted from the truck and set by our campfire. I was willing to bet that my sister Pat, the dealer in antiques, would scoop up that rocker if given the slightest chance. The old one looked about the campsite, noted clothes drying from a previous day’s rain, order of equipment and supplies aligned the way we always kept them, the canvas of our tent taut and true in its expanse, our fishing rods off the ground and placed atop the flyleaf so as not to tempt raccoons with smelly cork handles, no garbage in sight. He nodded.

We had passed muster.

“You the ones leave it cleaner than you find it ever’ year. We knowed sunthin’ ’bout you. Never disturbed you afore. But we share the good spots.” He looked closely at Brother Bentley, nodded a kind of recognition. “Your daddy ever fish here, son?”

Brother must have passed through the years in a hurry, remembering his father bringing him here as a boy. “A ways back,” Brother said in his clipped North Saugus fashion, outlander, specific, no waste in his words. Old Oren Bentley, it had been told us, had walked five miles through the unknown woods off Route 16 as a boy and had come across the campsite, the remnants of an old lodge, and a great curve in the Pine River so that a mile’s walk in either direction gave you three miles of stream to fish, upstream or downstream. Paradise up north.

His Venerable Self nodded again, a man of signals, then said, “Knowed him way back some. Met him at the Iron Bridge. We passed a few times.” Instantly we could see the story. A whole history of encounter was in his words; it marched right through us the way knowledge does, as well as legend. He pointed at the coffeepot. “The boys’ll be off, but my days down there get cut up some. I’ll sit a while and take some of thet.” He said thet too pronounced, too dramatic, and it was a short time before I knew why.

<  5  >

The white wicker rocker went into a slow and deliberate motion, his head nodded again. He spoke to his sons. “You boys be back no more’n two-three hours so these fellers can do their things too, and keep the place tidied up.”

The most orderly son said, “Sure, pa. Two-three hours.” The two elderly sons left the campsite and walked down the path to the banks of the Pine River, their boots swishing at thigh line, the most elegant rods pointing the way through scattered limbs, experience on the move. Trout beware, we thought.

“We been carpenters f’ever,” he said, the clip still in his words. “Those boys a mine been some good at it too.” His head cocked, he seemed to listen for their departure, the leaves and branches quiet, the murmur of the stream a tinkling idyllic music rising up the banking. Old Venerable Himself moved the wicker rocker forward and back, a small timing taking place. He was hearing things we had not heard yet, the whole symphony all around us. Eddie looked at me and nodded his own nod. It said, “I’m paying attention and I know you are. This is our one encounter with a man who has fished for years the river we love, that we come to twice a year, in May with the mayflies, in June with the black flies.” The gift and the scourge, we’d often remember, having been both scarred and sewn by it.

Brother was still at memory, we could tell. Silence we thought was heavy about us, but there was so much going on. A bird talked to us from a high limb. A fox called to her young. We were on the Pine River once again, nearly a hundred miles from home, in Paradise.

“Name’s Roger Treadwell. Boys are Nathan and Truett.” The introductions had been accounted for.

Old Venerable Roger Treadwell, carpenter, fly fisherman, rocker, leaned forward and said, “You boys wouldn’t have a couple spare beers, would ya?”

Now that’s the way to start the day on the Pine River.

by Tom Sheehan

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Truman Capote on Influences and Techniques

“I am a completely horizontal author…I can’t think unless I’m lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I’ve got to be puffing and sipping. As the afternoon wears on, I shift from coffee to mint tea to sherry to martinis. I don’t use a typewriter. Not in the beginning. I write my first version in longhand (pencil). Then I do a complete revision, also longhand. Essentially I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon. Obsessions of this sort, and the time I take over them, irritate me beyond endurance. Then I type a third draft on yellow paper, a very special certain kind of yellow paper. I don’t get out of bed to do this…I balance the machine on my knees. It works fine…I can manage a hundred words a minute. When the yellow draft is finished, I put the manuscript away for a while, a week, a month, sometimes longer. When I take it out again, I read it as coldly as possible, then read it aloud to a friend or two, and decide what changes I want to make and whether or not I want to publish. I’ve thrown away rather a few short stories, an entire novel, and half of another. But if all goes well, I type the final version on white paper and that’s that.

At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can’t forget it…it will haunt you until it’s written.

I’ve never been aware of direct literary influence, though several critics have informed me that my early works owe a debt to Faulkner and Welty and McCullers. Possibly. I’m a great admirer of all three; and Katherine Anne Porter too. Though I don’t think, when really examined, that they have much in common with each other, or me, except that we were all born in the South. Between thirteen and sixteen are the ideal, if not the only ages for succumbing to Thomas Wolfe, though I can’t read a line of it now. Just as other youthful flames have guttered: Poe, Dickens, Stevenson. I love them in memory, but find them unreadable. These are the enthusiasms that remain constant: Flaubert, Turgenev, Chekhov, Jane Austen, Henry James, E. M. Forster, Maupassant, Rilke, Proust, Shaw, Willa Cathar…oh, the list is too long, so I’ll end with James Agee, a beautiful writer whose death was a real loss.”

 

From Wikipedia: Born Truman Streckfus Persons (September 30, 1924 – August 25, 1984), known as Truman Capote (pron.: /ˈtruːmən kəˈpoʊtiː/), was an American author, many of whose short stories, novels, plays, and nonfiction are recognized literary classics, including the novella Breakfast at Tiffany’s (1958) and the true crime novel In Cold Blood (1966), which he labeled a “nonfiction novel.” At least 20 films and television dramas have been produced from Capote novels, stories and screenplays.

Meyer Lane Releases “My Immortal – A Spiritual Journey Part 1”

The time has come.

My Immortal – A Spiritual Journey Part 1 by Meyer Lane has been released on Amazon Kindle for the introductory price of $2.99.

This represents the first non-fiction release for the Short Attention Span Press.

Description – This will be an ongoing journey into spirituality for those of us who know there is more than the normal day to day life. This series is for everyone who strives to be everything they deserve to be for themselves and everyone else. A Great deal of information in a compact space…the Short Attention Span Press way.

*Follow the link above. 😉

My Immortal Release Update

My Immortal – A Spiritual Journey Part 1 by Meyer Lane  will be available for purchase on Amazon Kindle within 12 hours!

It will be offered at the special price of $2.99 for a limited time only.

This represents the first non-fiction release for the Short Attention Span Press.

Description – This will be an ongoing journey into spirituality for those of us who know there is more than the normal day to day life. This series is for everyone who strives to be everything they deserve to be for themselves and everyone else. A Great deal of information in a compact space…the Short Attention Span Press way.

My Immortal Part 1 to be released on Kindle

The Short Attention Span Press is proud to announce that its first short non-fiction work will be released on Amazon Kindle within the next 24 hours at the special price of $2.99

My Immortal – A Spiritual Journey Part 1

By Meyer Lane

This will be an ongoing journey into spirituality for those of us who know there is more than the normal day to day life. This series is for everyone who strives to be everything they deserve to be for themselves and everyone else. A Great deal of information in a compact space…the Short Attention Span Press way.